davyt

EQUIPMENT

Studio Setup

Steinberg UR22C

Audio Interface

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Korg Minilogue

This hardware synthesizer is currently my main instrument and a constant source of inspiration. Its versatility and warm analog sound make it an essential part of my creative process, heavily featured in my most recent projects.

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Yamaha EZ-220

This keyboard comes into play when I need a broader octave range and dynamic control for software instruments. It’s ideal for capturing more complex ideas that go beyond the simplicity and practicality of the Launchpad

Presonus Eris 3.5 2nd Gen

Studio Monitors

Jackson

This electric guitar is a bit of a mystery, with its origins and age unknown. I use it sparingly, making it a unique addition to my tracks when I want to introduce an unconventional element to my sound.

Cort

My first instrument and gateway into music, the acoustic guitar remains a personal favorite. While I currently lack the equipment to record it properly, I still use it to find inspiration and create riffs and melodies.

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Novation Launchpad Mini MK3

The Launchpad is the newest addition to my studio. It enhances my workflow, allowing me to navigate my DAW efficiently, craft drum patterns, and create MIDI melodies on the fly. Its compact size keeps it within reach at all times, and it plays a key role in developing live versions of my latest tracks

BRAIN DRAIN

15.7.2022

8 songs

18 min 17 sec

Brain Drain is an album deeply rooted in sound experimentation, much like 2054, where I explore new styles and continue to discover my musical identity. During the creation of this project, I developed a signature approach to how I arrange and structure my tracks, which has become one of the defining characteristics of my music today. It was also during this time that I developed a passion for creating and arranging powerful leads that accompany the main sections of my songs, adding another layer to the sound I craft. I think of this album as a transition from my earlier music resembling classic beat-making to more fully realized compositions

Corrupted
Memories

23.6.2023

10 songs

30 min 32 sec

This album continues and expands on the futuristic vibe found in my work, incorporating the best elements of electronic music I’ve learned from my previous projects while also introducing new influences from genres like Trance, Techno, and House.

Corrupted Memories is my longest project to date, allowing me to weave a story alongside the music. The narrative of “Corrupted Memories” explores the possibility of using technology to erase unwanted thoughts and traumatic memories. Throughout the album, we follow the process of eliminating these memories, culminating in the tracks Void in My Mind which leaves a human shell devoid of feelings, carrying a sense of emptiness, and Recovery, the closing track that offers an open ending to the narrative, leaving space for the possibility of hope to get better.

The album features some of my most refined tracks, where each one fits perfectly within the overall composition, while also standing as a unique piece of art on its own. I consider it the result of years spent perfecting and refining my sound, which has come to define me as a musician.

Before
the storm

22.11.2022

5 songs

10 min 12 sec

Before the Storm is a highly unique project that stands out from the rest of my work. In five tracks, it musically portrays the day leading up to a storm – beginning with the calm before the storm, followed by the storm itself, and ending with the aftermath. Unlike my previous projects, this EP experiments with orchestral elements, such as strings, piano, live drums, and more, blending them with my signature sound to create something entirely unique.
What makes this project even more special is that it marks the first time in my career that I’ve released a track in collaboration with another artist. In this case, it’s my close friend Soker, whose melodies can be heard on the track Oasis.

2054

14.1.2022

7 songs

16 min 22 sec

2054 is again a more refined project. As the name suggests, the album explores a futuristic theme, brought to life through electronic sounds and intricate compositions. Genre-wise, it leans closer to the electronic music styles that inspire and excite me today. 2054 was pivotal in helping me master key principles and develop a personal approach to sound design, which I’ve built upon in later works.

UNeven

11.8.2021

4 songs

11 min 26 sec

Uneven is an EP consisting of four dynamic tracks, each with a distinct character, color, and vibe. The title Uneven reflects the project’s essence – lack of balance and common theme. For instance, Last Dance incorporates a 3/4 time signature, adding an unconventional rhythm. In Not So Beautiful, there’s a noticeable shift within the composition, further enhancing the EP’s uneven nature while simultaneously creating an odd count of track in the EP. The final track serves as a continuation of one of my favorite pieces from Timeo, creating a subtle connection to my earlier work.

Head in
the clouds

11.4.2021

7 songs

16 min 20 sec

Head in the Clouds was a short project that came together as a compilation of my best work at the time, born from a desire to release my first album. It features a mix of intriguing, ambient-inspired compositions alongside punchy, hard-hitting beats.

TIMEO

4.10.2020

5 songs

10 min 28 sec

Timeo was my first fully realized project. While its production may not match the polish of my later works, it’s a project I’m still proud of and enjoy revisiting from time to time. The track Why Are You On My Mind remains especially significant to me, as it played a key role in shaping the direction my sound has taken since.