A showcase of my key releases through the years
NEWEST SINGL WITH VISUAL
Timeo was my first fully realized project. While its production may not match the polish of my later works, it’s a project I’m still proud of and enjoy revisiting from time to time. The track Why Are You On My Mind remains especially significant to me, as it played a key role in shaping the direction my sound has taken since.
2054 is again a more refined project. As the name suggests, the album explores a futuristic theme, brought to life through electronic sounds and intricate compositions. Genre-wise, it leans closer to the electronic music styles that inspire and excite me today. 2054 was pivotal in helping me master key principles and develop a personal approach to sound design, which I’ve built upon in later works.
Brain Drain is an album deeply rooted in sound experimentation, much like 2054, where I explore new styles and continue to discover my musical identity. During the creation of this project, I developed a signature approach to how I arrange and structure my tracks, which has become one of the defining characteristics of my music today. It was also during this time that I developed a passion for creating and arranging powerful leads that accompany the main sections of my songs, adding another layer to the sound I craft. I think of this album as a transition from my earlier music resembling classic beat-making to more fully realized compositions
Before the Storm is a highly unique project that stands out from the rest of my work. In five tracks, it musically portrays the day leading up to a storm – beginning with the calm before the storm, followed by the storm itself, and ending with the aftermath. Unlike my previous projects, this EP experiments with orchestral elements, such as strings, piano, live drums, and more, blending them with my signature sound to create something entirely unique.
What makes this project even more special is that it marks the first time in my career that I’ve released a track in collaboration with another artist. In this case, it’s my close friend Soker, whose melodies can be heard on the track Oasis.
Head in the Clouds was a short project that came together as a compilation of my best work at the time, born from a desire to release my first album. It features a mix of intriguing, ambient-inspired compositions alongside punchy, hard-hitting beats.
Uneven is an EP consisting of four dynamic tracks, each with a distinct character, color, and vibe. The title Uneven reflects the project’s essence – lack of balance and common theme. For instance, Last Dance incorporates a 3/4 time signature, adding an unconventional rhythm. In Not So Beautiful, there’s a noticeable shift within the composition, further enhancing the EP’s uneven nature while simultaneously creating an odd count of track in the EP. The final track serves as a continuation of one of my favorite pieces from Timeo, creating a subtle connection to my earlier work.
ICE COLD is a short collaborative EP, a fun project that serves as a compilation of tracks created together with my friend and fellow artist Soker. It features three highly crafted and unique tracks, blending our individual styles and bringing out the best in each other. Each track has its own character and vibe, but the standout one is undoubtedly Absinth Spice, with its hard-hitting sounds, from the selection of drums to the choice and use of instruments.
This album continues and expands on the futuristic vibe found in my work, incorporating the best elements of electronic music I’ve learned from my previous projects while also introducing new influences from genres like Trance, Techno, and House.
Corrupted Memories is my longest project to date, allowing me to weave a story alongside the music. The narrative of “Corrupted Memories” explores the possibility of using technology to erase unwanted thoughts and traumatic memories. Throughout the album, we follow the process of eliminating these memories, culminating in the tracks Void in My Mind which leaves a human shell devoid of feelings, carrying a sense of emptiness, and Recovery, the closing track that offers an open ending to the narrative, leaving space for the possibility of hope to get better.
The album features some of my most refined tracks, where each one fits perfectly within the overall composition, while also standing as a unique piece of art on its own. I consider it the result of years spent perfecting and refining my sound, which has come to define me as a musician.
